Analysis of Chopin’s use of linguistic features in her literary works

From the Victorian era, Chopin startled critics with her paradigmatic tale of a womans abortive struggle towards independence in an oppressive society. By utilize women as her protagonist, Chopin high spots their sexist roles in literature whilst restricting them from the expansion requisite to deal with their realisation. It thus come alonged conducive to trans stochastic variable the novel into a serial of garners in the form of English Sonnets, establishing the undeveloped characterisation of Edna with Robert, whilst they argon separated from each other. The transformation aims to elucidate Ednas role in society, by satirizing the narrow and stereotypical way in which woman ar commonly portrayed in literature.The novel as a form does not offer the opportunity for character development in the uniform way a series of letters/sonnets do. For example, Edna openly declares her love for Robert, at the sentence of her death Im the person who deserves your love. The continuous s ense experience of the authors evaluation of the moral choices that her characters extend to is lost they seem more autonomous by dint ofout the sonnets because they speak for themselves without Chopins explicit authorial presence. The sonnet form successfully mimics letter writing as some(prenominal) forms are addressed to someone, whilst informing and shedding light on their let thoughts.Moreover, when the two characters reveal their feelings to each other or reminisce of their time together at Grand Isle, the meter is tight, mirroring the natural sound of a heart beating. For example, Robert declares The bonds we made grew deeper than the sea. This foreshadows events, making it clear to the reader the context of which the letter/sonnets are written, in the novel.As the final sonnet concludes, the iambic pentameter in the rhyming couplets deliberately fails, creating the sound of a dying and irregular heartbeat, phonetically indicating Ednas death. Both lines thirteen and fo urteen consist of eleven syllables, falling out the strict rule of including five iambs with one unstressed and stressed syllable, to make up the meter. Unlike the rest of the sonnets, the final is in past filter which suggests that she has already died and is looking back on her words to Robert. The fact that she dies simultaneously as the sonnet concludes, highlights the end of their communication and hence concludes the transformation through her tragic death.Phallogocentrism is a key attitude conveyed in Roberts sonnets, oddly after he discovers that Edna only likes him to gain attention from her husband, whom she believes to be having an affair. For example, stodgy values of gender roles are implied through this simile like a deceived husband not knowing you, which aims to make Edna feel sympathy towards her husband, in an attempt to reduce her emotional desire for Robert, which contrastingly accentuates through the treat of the transformation.In conclusion, the third sonn et uses juxtaposition of Ednas beauty to highlight her cunning and manipulative ways as a female protagonist. This is revealed through the line For there can live no hatred on your face, which highlights Ednas surfaced, innocent faade, concealing her inner desires, highlighting her non feminist attitude.